call me spooky
I’m a freelance creative lead obsessed with digital culture and pattern recognition.
.info
Brandon Carrillo
West Hollywood, CA
EN / ES 🌐
.available as
Art Director
Sr. Designer
Animator
I’ve spent the last 10+ years bouncing between scrappy creative briefs and global 360 campaigns, which means I lead the concept and do the hands-on work that actually ships. I care deeply about the tension between impact and aesthetics. I want the work to communicate cleanly, to move with intention, and to hold up when you zoom in.
.selected work
Snap Inc.
Hulu
Warner Bros.
HBO Max
Prime Video
Paramount
.services
360 Campaigns
Motion Graphics
Brand Identity
Video Production
Web + Interactive
Experiential
.tools
Adobe Creative Suite
Cinema 4D
Figma
Framer
Google Suite
Claude Code
.experience
Apr 2023 — Present
Spooky Fuego
Freelance
WORTHI · Motion Designer | 2025 - 2026
Paradise Creative · Motion Designer | 2023
Apr 2023 — Present
Spooky Fuego
Freelance
WORTHI · Motion Designer | 2025 — 2026
Paradise Creative · Motion Designer | 2023
Apr 2023 — Present
Spooky Fuego
Freelance
WORTHI · Motion Designer | 2025 - 2026
Paradise Creative · Motion Designer | 2023
May 2016 — Apr 2022
Snap Inc.
In-house
Junior Art Director | 2020 - 2022
Visual Designer, Spectacles | 2016 - 2020
May 2016 — Apr 2022
Snap Inc.
In-house
Junior Art Director | 2020 – 2022
Visual Designer, Spectacles | 2016 – 2020
May 2016 — Apr 2022
Snap Inc.
In-house
Junior Art Director | 2020 - 2022
Visual Designer, Spectacles | 2016 - 2020
Sep 2012 — Apr 2016
ArtCenter College of Design
BFA
Graphic Design · Motion Graphics | 2012 - 2016
Student Body President, ACSG | 2016
Director of Events, ACSG | 2015
Sep 2012 — Apr 2016
ArtCenter College of Design
BFA
Graphic Design · Motion Graphics | 2012 - 2016
Student Body President, ACSG | 2016
Director of Events, ACSG | 2015
.backstory
Feel free to call me Spooky or Brandon. I'm a first-gen Latinx creative, based in West Hollywood. I grew up in North Las Vegas, which gets scorching hot summers, so I spent them mostly inside with the A/C on, a glowing monitor, and the World Wide Web to surf.
My first peek at digital culture was on MySpace at 13yo. I was fully obsessed with the idea that you could control your identity online and use pixels to tell the world who you were. No one called it “personal brand” back then, but that’s exactly what it was. You’d pick your song, photoshop your profile picture, wreck your layout with custom code, and live a part of your life online.
That obsession with pixels never left. I just got more intentional about it.
That’s what brought me to ArtCenter College of Design, where I earned a BFA in Graphic Design with an emphasis in motion graphics. I went all-in as Student Body President my
Feel free to call me Spooky or Brandon. I'm a first-gen Latinx creative, based in West Hollywood. I grew up in North Las Vegas, which gets scorching hot summers, so I spent them mostly inside with the A/C on, a glowing monitor, and the World Wide Web to surf.
My first peek at digital culture was on MySpace at 13yo. I was fully obsessed with the idea that you could control your identity online and use pixels to tell the world who you were. No one called it “personal brand” back then, but that’s exactly what it was. You’d pick your song, photoshop your profile picture, wreck your layout with custom code, and live a part of your life online.
That obsession with pixels never left. I just got more intentional about it.
That’s what brought me to ArtCenter College of Design, where I earned a BFA in Graphic Design with an emphasis in motion graphics. I went all-in as Student
Feel free to call me Spooky or Brandon. I'm a first-gen Latinx creative, based in West Hollywood. I grew up in North Las Vegas, which gets scorching hot summers, so I spent them mostly inside with the A/C on, a glowing monitor, and the World Wide Web to surf.
My first peek at digital culture was on MySpace at 13yo. I was fully obsessed with the idea that you could control your identity online and use pixels to tell the world who you were. No one called it “personal brand” back then, but that’s exactly what it was. You’d pick your song, photoshop your profile picture, wreck your layout with custom code, and live a part of your life online.
That obsession with pixels never left. I just got more intentional about it.
That’s what brought me to ArtCenter College of Design, where I earned a BFA in Graphic Design with an emphasis in motion graphics. I went all-in as Student Body President my graduating year, and rode that momentum into a decade of tech product launches, global marketing campaigns, and a whole lot of After Effects.
graduating year, and rode that momentum into a decade of tech product launches, global marketing campaigns, and a whole lot of After Effects.
These days, my anchor is the pentagram tattooed on my palm. It’s my personal logo, but it’s also a reminder that the best design has structure underneath the magic. Geometry, proportion, rhythm, harmony. The stuff that makes something feel inevitable instead of random.
I'm inspired by psychology, archetypes, astrology, and symbolism. It's all pattern recognition pointed at meaning instead of pixels: tracking how symbols evolve and why they land. That perspective keeps my work grounded and dimensional.
Every project is a chance to build a small world. I don’t just set keyframes. I build digital ecosystems with soul. 💫 If you want something that hits deep and rewards a closer look, I’m your person.
graduating year, and rode that momentum into a decade of tech product launches, global marketing campaigns, and a whole lot of After Effects.
These days, my anchor is the pentagram tattooed on my palm. It’s my personal logo, but it’s also a reminder that the best design has structure underneath the magic. Geometry, proportion, rhythm, harmony. The stuff that makes something feel inevitable instead of random.
I'm inspired by psychology, archetypes, astrology, and symbolism. It's all pattern recognition pointed at meaning instead of pixels: tracking how symbols evolve and why they land. That perspective keeps my work grounded and dimensional.
Every project is a chance to build a small world. I don’t just set keyframes. I build digital ecosystems with soul. 💫 If you want something that hits deep and rewards a closer look, I’m your person.
Body President my graduating year, and rode that momentum into a decade of tech product launches, global marketing campaigns, and a whole lot of After Effects.
These days, my anchor is the pentagram tattooed on my palm. It’s my personal logo, but it’s also a reminder that the best design has structure underneath the magic. Geometry, proportion, rhythm, harmony. The stuff that makes something feel inevitable instead of random.
I'm inspired by psychology, archetypes, astrology, and symbolism. It's all pattern recognition pointed at meaning instead of pixels: tracking how symbols evolve and why they land. That perspective keeps my work grounded and dimensional.
Every project is a chance to build a small world. I don’t just set keyframes. I build digital ecosystems with soul. 💫 If you want something that hits deep and rewards a closer look, I’m your person.
These days, my anchor is the pentagram tattooed on my palm. It’s my personal logo, but it’s also a reminder that the best design has structure underneath the magic. Geometry, proportion, rhythm, harmony. The stuff that makes something feel inevitable instead of random.
I'm inspired by psychology, archetypes, astrology, and symbolism. It's all pattern recognition pointed at meaning instead of pixels: tracking how symbols evolve and why they land. That perspective keeps my work grounded and dimensional.
Every project is a chance to build a small world. I don’t just set keyframes. I build digital ecosystems with soul. 💫 If you want something that hits deep and rewards a closer look, I’m your person.